Jeremiasz Rzenno translates the extreme present into thoughtful products, experiences, and narratives. He works across product design, research, creative technology, education, and cultural production – treating each as a way of asking: how technology reshapes imagination and human sense-making?

In my work I value intention, curiosity, courage.

Over the past decade, he has worked across startups, design studios, public institutions, universities, NGOs, and the cultural sector. His commercial practice includes designing products and services for organizations such as Ergodesign, Ramp Network, Comarch, and WAYF, helping teams navigate complexity through research, systems thinking, and interaction design. He sees design not only as a way of solving problems, but as a method for understanding the world, questioning assumptions, and creating new possibilities for action.
Alongside his professional work, Jeremiasz has always been deeply involved in culture. He is a co-founder of the art and research collective Nerdka, collaborates on exhibitions, publications, and public programs, co-organized the Nadmiar Festival, and later organized independent club nights with Kikimora. Under the alias FuckupID, he occasionally DJs, treating club culture as another site for experimentation with atmosphere, collective attention, and participation. These experiences continue to shape his understanding of technology – not simply as software, but as cultural infrastructure.

This perspective carries into his independent research, where he develops experimental software exploring new interaction paradigms for thinking, writing, reading, organizing knowledge, and experiencing music. Projects such as Sepulka, Momentum, TextInk, and MusicGarden investigate how digital tools can become environments for reflection, creativity, and sense-making rather than merely interfaces for completing tasks. His work combines research-through-design with rapid prototyping, using software as a medium for asking questions rather than only delivering solutions.

Jeremiasz currently teaches at the Academy of Fine Arts in Katowice, where he leads courses in design research, speculative design, and emerging technologies. He has also taught and facilitated workshops for organizations including Aalto University and the European Space Agency. His work has been presented at institutions and festivals including CSW Zamek Ujazdowski, Unsound Festival, TRAFO Szczecin, and Krakers Cracow Art Week.

Rather than separating commercial practice from independent work, Jeremiasz sees them as mutually reinforcing. Ideas developed through teaching, cultural projects, and software experiments inform his work with organizations, while experience designing products at scale grounds his research in practical constraints. Across all of these contexts, he returns to the same question: How can the design of digital tools change the way people think, rather than simply making existing tasks more efficient?